Islamic Motif Ring 3D print model

Islamic motif Islamic art today is an abstract art, that is, art that in fact has the same color and role everywhere in the world, and that is why it is easily distinguishable and recognizable from other arts, Islamic art is an abstract art and a Art is abstract.

Regarding Islamic art, it can be said that Islamic art today is an abstract art, that is, it is an art that in fact has a color and a role everywhere in the world, and that is why it is easily distinguishable and recognizable from other arts. Islamic art is an art It is single and an abstract art. Nature is not considered as a definite and definite model in this school of art, but nature is a sign that the painter and artist have also used it just to be a sign, and the summary of Islamic art has become abstract art because it draws attention from the plurality. It leads to unity which is the same meaning (monotheism).

It should be said that what is discussed in Islamic motifs is not the outward, material and external role of nature, but their internal and internal laws, principles, disciplines and arrangements. And this order is a kind of manifest and order full of mystery that disintegrates all its apparent proportions and levels and in a sense creates a new plan.

All Islamic motifs have always sought the image of this system and the law of the establishment of the universe, sometimes appearing in a regular and harmonious form and using geometric and mathematical forms.

Islamic history:

History says that the Arabs invented the basic form of the Islamic motif and fixed its image, but artists of other nations and other languages, such as Iranians, Turks, Indians, Berbers, etc., used the Islamic and at the same time the forms and They created and added new designs to the collection, and although the group introduced things in new forms of Buddhism, they never embraced the original Islamic spirit.

Much has been said about how Islam is shaped. Some have said, for example, that the role of the mouth of the dragon, which is the name of an Islamic species, has been taken from the role of the dragon. But it is necessary to mention again that Islamic is a single role. That is, a role that has been abstracted from the real world. Appearance is not a material thing. Rather, it is a sign to draw attention to something beyond that sign.

Mysteries and nature of Islam:

Regarding the nature and what is Islamic, we must say that in fact we know nothing about Islam! Except that with a dignified and scholarly appearance, we put the maps in front of us, and describe it in words sometimes poetic and sometimes historical. Just like a photograph whose people we do not know, and only to describe the appearance of individuals, and not in a way that contains a deep cultural burden because we do not actually have the ability. That is, what foreign and Iranian scholars have done a lot, basically we do not know what the components of an Islamic work are called ?! And how did a master, as is common in all Iranian fine arts and crafts, make it clear to a skilled student that his work has a defect and how, with the right trick, he can fix it, and we basically do not know that a role, Why and for what reason was it weaker or stronger than the other role, and we do not know which plan was considered better than the other, and why and for what reason? Undoubtedly, as in architecture, spaces such as porches and foyers, snowfalls, etc., and even double windowsills, etc., have been named, or even the decorative elements of walls, plasterwork and tiles in the same way; Like Shamseh, Pabzi, Sarmehdan, etc., who each had their own design and space, a special design and a special name, in Islam, which is a complex art of drawing and has given rise to all arts, from gilding to architecture, certainly had special words. And unfortunately we do not know those specific words, but nevertheless there are relatively serious and deep works in the field of research in Islam.

Ideals of Islamic spiritual codes:

The Islamists formed from the idea of ​​leafy stems and moved like natural branches and ascended to growth and perfection, but eventually returned to unreal curves and spiral waves. It was during this process that the leaves were clawed in the same way and separated from each other, and in a special way, split open, and the petals, in a special and exaggerated way, blossomed, as never happens in nature, and Although such developments and tricks can be seen in the late classical period in the West, but its ultimate importance, as a special program and construction, emerged in the art of the Islamic period. And the surprising thing that can be said in this case is that most of the artistic disciplines in Islamic art end with the same branched and forest leaves of geometric shapes and motifs. And it's so serious that it engages all the deeply creative forces of a millennial period, and for the world today, understanding and embodying this is not only difficult, but unbelievable, that great artists, with their creative inspiration and exploration, , In all their lives, to insist on such a limit, in their creative powers, and to be content with only one basic form of decorative motif. Despite these limitations, their religion has shown a great deal of creativity and it can be said that the limitation in this case has caused the peak of prosperity and artistic end of this matter, which is a matter that is worthy of consideration and reflection.

The Islamic artist creates endless and diverse themes from the concepts of plant growth and reproduction and reproduction of the natural world. Thus, in all Islamic designs, a single spirit can be embodied through rhythmic but varied repetitions and very close to the logic of music, which frees Islamic art from negligence and offers it a definite and orderly order, thus expressing perhaps infinite excitement. , Boiling from the depths of the painter's heart, and then refined and masterfully written, the man who follows the same pattern in Oriental music is also consistent with the composition of Islamic music, which is more like playing maps than painting. From time to time one thinks that these motifs are clear sensory discharges that are intertwined in a regular pattern. Islamic maps generally do not reveal their natural origin and avoid dependence on perishable soil growers. These shapes also do not accept a single order in page occupancy. Sometimes they are drawn in a very compact and dense manner, to all parts of the page, and sometimes, with a small density, they spread their concise curves in a non-dense and open part.

In Islam, as the infinite repetition of individual insignificant elements, in a constant process, they form the main plot of the story without being significant, at the same time as elements that are read after seeing, like a word, and then disappear to combine all the words. It makes sense, and so does Islami, and in return he deprives his role of any external meaning. In fact, this point can be considered pleasant in Islam, which is a decorative art and not a visual art, because Islamic intentions are more in line with the main purpose of decorative art, which is to captivate the viewer's eye with the pleasant details of the work.

Finally, it would be a mistake to assume that the various forms in Islam each symbolize a month in return for being natural. Although the simplification of ancient Oriental plants, such as the rose petals or the leaves of palms and palm trees, or the flowers, which are fan-shaped, are undoubtedly taken from natural forms and pollinated, but to reach a specific and pure generality, Based on and at the same time, apart from natural forms, it is one of the mentalities of Islamic thought.

Name:

Toranj is the compound name of a term used for decorative motifs in Islamic art. This term is a compound role that is found in abundance in Islamic technologies and industries: the causes and factors of influence of this role are many; The solid argument that can be expressed has an appearance and an esoteric one, apparently that system and balance and twists and subtle curves and rotations and rotations, around the axis and the center, this rotation around the axis causes the role to be balanced and this in turn Provides spiritual balance, and finally, after providing spiritual balance, a sense of beauty is created in itself, and perhaps this is why this central point in Islamic arts plays a critical role and is a selection that every ethnic group and every individual and Every school accepts it. Hence, Islamic art has accepted this kind of role and has developed it fruitfully according to its religious and belief beliefs as well as its attitude towards the world and existence! Inwardly, this role also originates from the same worldview that is based on the unity and integrity of the universe.